Archive for the ‘Coastal SC Clay’ Category

North Charleston Arts Festival in North Charleston, SC, Calls for Entries for Annual South Carolina Palmetto Hands Juried Fine Craft Competition and Exhibition – Deadline Mar. 15, 2012

February 13, 2012

Fine craft artists from across the state are invited to participate in the twelfth annual South Carolina Palmetto Hands Juried Fine Craft Competition and Exhibition. As the state’s only fine craft competition and exhibition, objects juried into the exhibit may compete for cash prizes totaling up to $6500. The exhibition is presented as a component of the annual North Charleston Arts Festival, to be held May 4-12, 2012, in North Charleston, SC. Applications may be downloaded from the Applications & Registration Forms section at (

Deadline for submissions is Thursday, March 15, 2012.

2011 Best in Show Winner – Bird of Prey by Matt Wilson (Metal)

Organized and presented by the City of North Charleston Cultural Arts Department, with assistance from the South Carolina Artisans Center, this unique exhibition offers fine craft artists from across South Carolina the opportunity to exhibit their inspiring objects in the media of clay, fiber, glass, metal, wood, and three-dimensional mixed media. Thousands have enjoyed the refined talents of South Carolina fine craft artists during the past annual exhibitions. Following the close of the exhibition, up to thirty works will be selected to tour the state through the South Carolina State Museum’s 2012/2013 Traveling Exhibitions Program. Sites across South Carolina may request the exhibit to tour in their facilities, thus providing additional exposure for the selected artists.

Clay Burnette will jury this year’s competition. Burnette is Director of Grants and Fellowships at the South Carolina Arts Commission. His pine needle baskets have been exhibited in over 225 shows, including the prestigious Smithsonian Craft Show and the Philadelphia Craft Show, and can be found in collections of the Columbia Museum of Art, the South Carolina State Museum, the Mint Museum of Art + Craft, the South Carolina Archives and History Center, and in many corporate and private collections.  Two of his baskets are included in the South Carolina Arts Commission’s State Art Collection, and are represented in the White House Christmas Tree Ornament Collection.  His work has appeared in numerous books and publications. Burnette was the South Carolina Arts Commission’s Crafts Fellowship recipient in 1987.

The South Carolina Palmetto Hands Juried Fine Craft Competition & Exhibition will be on display May 4–12, 2012, at the Charleston Area Convention Center, located at 5001 Coliseum Drive in North Charleston. An opening reception and announcement of awards will be held at the Convention Center on Friday, May 4, 2012.

For more information about the North Charleston Arts Festival, Palmetto Hands, or other exhibition opportunities, contact the City of North Charleston Cultural Arts Department at 843/740-5854.

College of Charleston in Charleston, SC, Features Works by Aggie Zed – Jan. 21, 2012

January 7, 2012

The Halsey Institute of Contemporary Art (HICA) at the College of Charleston School of the Arts in Charleston, SC, is proud to present Aggie Zed: Keeper’s Keep, featuring new works by Virginia-based artist Aggie Zed. The exhibit will be on view from Jan. 21 through Mar. 10, 2012. A reception will be held on Jan. 20, from 5-7pm. A gallery walk-through with the artist will be held within the Halsey’s galleries on Saturday, Jan. 21, at 2pm. Keeper’s Keep will travel nationally after its inaugural presentation at the Halsey Institute.

The exhibition comprises of sculpture, installation, paintings, drawings, and sketchbooks that chart Zed’s unique working methods in a variety of media. Born in Charleston and raised among farm animals on Sullivan’s Island, SC, Zed graduated from the University of South Carolina with a BFA in painting and sculpture. Shortly thereafter, she moved to Richmond and, later, Gordonsville, VA, where she lives and works today.

Zed’s studio practice is eclectic and varied. Often starting with images from her sketchbook, she may develop some of these concepts into paintings and others into sculptural tableaux or installations. Her subject matter is nothing less than the sum of human civilization, with an emphasis on man’s relationship to the animal kingdom. Human and animal figures collide with furniture or landscapes; rabbits sprout wheels or wings, while horses drown in collapsing scaffolding. Zed’s dreamscape narratives probe the inner reaches of the subconscious mind.

Although Zed’s work derives much of its meaning from literary associations, her imagery teems with invention and startling leaps of imagination. Her visual poetry conjures a world in which logic and rationality take a comfortable backseat. Human foibles and impulses are placed in the foreground and though she works in different media, her conceptual approach remains consistent throughout.

The paintings are rendered in mixed media on paper. They depict humans and/or animals, often located within a domestic space or farmyard. There may be references to dinosaurs seen from the windows or other anachronistic details. Mirrors, doorways, and framed artwork on the walls become portals to other realms. Animals play the role of participant observers to the human drama. They are depicted variously as companions, sages, sources of amusement, means of transportation, and foils to daily tasks.

The sculptural and installation works are complex tableaux that illuminate aspects of the human saga. Sculptural works that the artist calls “scrap floats” appear as if in some sort of cosmic procession, enacting scenes that are at once strange yet familiar. The collision of disparate materials and elements in these works mirrors the beauty and fragility of the human condition.

Derived from the title of one of the artist’s works, Keeper’s Keep alludes to British usage of the term “keeper” for “curator,” and plays on the double meaning of “keep” as both noun and verb. Zed is a storyteller whose works take us out of our consensual reality and into a world filled with absurdity, ambiguity, and the gifts of artistic imagination.

The Halsey Institute of Contemporary Art is a non-collecting contemporary art museum located on the campus of the College of Charleston, on the corner of Calhoun and St. Philip Streets. HICA offers a comprehensive contemporary arts program that is committed to providing a direct experience with art works in various media, in an environment that fosters creativity, innovation, and learning. The Halsey Institute serves as an extension of the undergraduate curricula at the College of Charleston and as a cultural resource for the region by producing exhibitions, lectures and panel discussions, film series, publications, and a comprehensive website. In addition, the Halsey Institute seeks to foster meaningful partnerships with local organizations in order to further the reach of contemporary art within the Charleston community. Admission into the galleries and to most programs is free with the public encouraged to attend.

The Halsey Institute of Contemporary Art is administered by the School of the Arts at the College of Charleston and exists to advocate, exhibit and interpret visual art, with an emphasis on contemporary art.

For further information check our SC Institutional Gallery listings, call the Institute at 843/953-4422 or visit (